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12” x 6” acrylic on cradled panel. Titled “Spline Scape #3” from artist Daniel “Attaboy” Seifert.
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ABOUT DANIEL
With a commitment to creating and curating surprising forms of visual art, Daniel “Attaboy” Seifert has forged a varied career, often fusing subversion with disconcerting whimsy.
Atta’s recent installation “The Upcycled Garden” is a sculptural diary of sorts of consumption and in two years has toured to 10 locations including the City Museum in St. Louis, Brea Gallery, Brassworks Gallery, Meow Wolf, and more. It will spend a year at The Hunter Museum of American Art in 2026-7 .
Atta’s “The Cradle of Life”, for example, is an interactive art installation depicting a decomposing but vibrant-with-life throne which sits two rulers. Participants sit and rock side to side, creating a pleasant rocking motion akin to a newborn in a crib. Other works include sculptural paintings on levels of layered wood, which investigate themes of death, decomposition and rebirth.
Attaboy’s work has been seen in books, magazines, galleries, museums, television and many designer stores. His influences include Alexander Calder, Maurice Nobel, Eyvinde Earle, Dr. Seuss, and the futurist Syd Mead.
12” x 6” acrylic on cradled panel. Titled “Spline Scape #3” from artist Daniel “Attaboy” Seifert.
CLICK ON IMAGE FOR FULL VIEW
ABOUT DANIEL
With a commitment to creating and curating surprising forms of visual art, Daniel “Attaboy” Seifert has forged a varied career, often fusing subversion with disconcerting whimsy.
Atta’s recent installation “The Upcycled Garden” is a sculptural diary of sorts of consumption and in two years has toured to 10 locations including the City Museum in St. Louis, Brea Gallery, Brassworks Gallery, Meow Wolf, and more. It will spend a year at The Hunter Museum of American Art in 2026-7 .
Atta’s “The Cradle of Life”, for example, is an interactive art installation depicting a decomposing but vibrant-with-life throne which sits two rulers. Participants sit and rock side to side, creating a pleasant rocking motion akin to a newborn in a crib. Other works include sculptural paintings on levels of layered wood, which investigate themes of death, decomposition and rebirth.
Attaboy’s work has been seen in books, magazines, galleries, museums, television and many designer stores. His influences include Alexander Calder, Maurice Nobel, Eyvinde Earle, Dr. Seuss, and the futurist Syd Mead.
